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The Church Building

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The present building was begun some time before AD 1200 and reached its present
form by about AD 1450. Even a very casual glance round tells you that the work
was not all done at once. The building is in the traditional cross shape, with
the tower at the base, the nave and chance! forming the upright, and the north
and south transepts forming the cross-piece. There have probably been several
previous buildings on the same site. A few fragments of Norman stonework from an
earlier building still exist, particularly the font-bowl which stands under the
tower. Before that there may have been one or more wooden church buildings
dating back to shortly after the coming of Saint Paulinus in AD627, but of these
no trace remains. As with many English church buildings, considerable
restoration was carried out in the second half of the nineteenth century, and
most of the stained glass dates from that period.
The church is open for visitors and prayer during
the day. On weekdays from noon until 3.00 pm in spring and autumn, in the
summer during the morning as well. A member of the congregation is usually
available to answer questions about our rich history.
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Some interesting things to look for inside
the building
Under and around the tower: the grotesque carved heads at the head of and
surrounding the columns; the magnificent arch from the tower to the nave; the
ancient font bowl; the Sotheby churchyard cross.
In the nave: the many strange carvings at the top of the columns of the north
aisle; the carving of angels on the circular panel (1970) in the south aisle;
the pulpit (1881) with two carved scenes showing the parable of the Good
Samaritan and St Peter healing the man at the Beautiful Gate.
In the south transept: the ancient stone shield bearing
the arms of the Barwick family - three bears heads cabossed; the fine archangel
window showing Raphael, Michael, Gabriel and Uriel, designed by the Swedish
artist Carl Armquist (1848-1924).
In the north transept: the elaborate 18th century monument to the Sotheby
family, sometime Lords of the Manor of Pocklington.
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The Dolman Memorial in the Lady Chapel |
In the Lady chapel: the monument (restored in
1850) to Thomas Dolman (d. 1589) and his wife Elizabeth with their five sons and
three daughters; above it the Dolman coat of arms and a helmet; over the altar,
the centre panel of a Flemish triptych dating from about 1500, showing the
crucifixion of Jesus.
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The Dolman Coat of Arms |

The Flemish Triptych |
In the chancel: the Victorian canopied stalls on the south side only; the
Denison
memorial; the communion rails by Thompson of Kilburn.
Further historical details
There have been two pamphlets written to
describe the history of the church and parish. The first, by Canon Graham
Christie (Vicar of Pocklington 1960-81) is still in print and available from the
church. The second, by the Very Revd Henry Stapleton, former
Dean of Carlisle and sometime assistant curate in the parish of Pocklington, is
currently at the pre-publication stage. It is hoped to publish it on the parish
website in due course.
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